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Grateful Dead Live at Merriweather Post Pavilion on 1985-07-01




Disc I - Set I
01 crowd
02 Dancin in the Streets
03 Dupree's Diamond Blues
04 Walkin' Blues
05 Jack A Roe
06 My Brother Esau
07 Stagger Lee
08 Let It Grow
09 Day Job

Disc II - Set II
01 Scarlet Begonias >
02 Fire on the Mountain
03 Playin' In The Band >
04 Uncle John's Band > Jam
05 Drums >

Disc III - Set II (cont'd)
01 Space >
02 Dear Mr. Fantasy >
03 Goin' Down The Road (Feeling Bad) >
04 Good Lovin'
05 encore call
Encores:
06 Satisfaction
07 It's All Over Now, Baby Blue


Collection GratefulDead
Band/Artist Grateful Dead
Venue Merriweather Post Pavilion
Location Columbia, MD

Source FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes.
Lineage MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8).
Taped by B. Koucky
Transferred by C. Ladner

Reviews

Reviewer: jjg4762 - - January 9, 2013
Subject: HOLY SMOKES
Dam this is f........ing unreal to the taper you nailed it. Nothing can be said but just wild loud sound.
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
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Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
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Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris.
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo
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2
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Source: Nakamichi CM 100's with CP-4 shotguns -> D-5
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
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Source: DTS-Audio-CD 5.1 Mix; SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - dts mixing by Kevin Tobin
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)